“Don’t try to adjust or improve or to block or to cultivate anything.
Allow whatever occurs to unfold and settle into it directly.”
From “Self-Liberating Meditation” by Patrul Rinpoche (1808-1887)
Read by Samareri Jayasara 

Painting and Playing: A New Practice

by Kari Kovick

I’ve been painting every day for the last week. I felt called to start this daily practice after my last training, because every time I attend a 5-day breathwork workshop, I face my inner critic on the mat telling me that I must not be doing it right. It takes two breathwork sessions every time to work my way back again into my natural self. (Even though I love it, and it feels like ALL I want to do.) Off the mat, at the art table, I am less hounded by that voice of self-doubt. It’s there, but not as loud. Maybe it is because I have no art training or experience that I seem to have fewer expectations of myself in that arena. Although I do encounter the shadow of my blocked self-expression EVERY time I come to a Dreamshadow training, the result is consistently liberating. I want to expand the sense of creative freedom that is growing in me. So now, I am taking an opening, and I am inviting myself to sit in it each day, and to paint without judging.

Something about this feels familiar from way long ago. I think they call this “playing”?
I start with some colors–any colors. Sometimes they are ones I am drawn to, and sometimes I find myself fretting over the choices too much (as if something important depends on it!) so I just reject the effort and pick any random ones. It feels funny to do that, as if I am throwing away a part of myself–a part that is trying to matter, to get it right in some meaningful way. I wonder how much of my life is driven like this. I open to the creative possibility that it might not matter at all (radical thought!) and I pick up a brush, I dip it in some color, and I make a mark. Any mark. And it begins…
I let my hand move however it wants to, in circles, in the paint well, on or off the paper. I play with strokes of different kinds. They are often curves, but sometimes jabs, slashes, streaks, cross hatches, dots. I change colors. I add water. I blend. I watch. Sometimes things happen on their own. I am not the type to study technique, strategize, or understand the cause and effect of my moves. I just do.

Sometimes it feels great. But surprisingly often, I don’t find any meaning in it, or even like it. I get frustrated sometimes that I don’t have more pleasure in the process–it’s not getting me anywhere, and that feels bad. But then I take a mental step back and remind myself, “It’s not supposed to be anything”.  I open to the space of the paper and tell the paints that I have no designs on them. There is relief in that choice. The paper seems to appreciate the freedom. I am not trying to control things. They can be whatever they will be. And I let things happen.

Sometimes a feeling of what I am painting guides me, a sense of something I can’t see, but can almost imagine. At these times I don’t focus on the brush, but rather on the periphery of where it is painting. That is where the image is coming from. Sometimes I cross my eyes a little, too, because I can find it better when I am not focusing too hard on anything.

Sometimes there’s no intention or direction, but as I keep adding colors or marks, a form will begin to appear accidentally. Hey, that looks like an otter! Now it turns into a bear. Once, my squiggles grab the last layer of paint in a surprising pattern, and a snake appears. Wow, it created itself! These are “happy accidents”.

With my mandalas at a workshop or my play paintings at home, I often look back at them later and I honestly like what I see, to my surprise. I don’t know why. The colors, the shapes say something. There’s movement. There is something there that speaks to me.

Most surprising of all is what I see outside if I go for a walk soon after. My world is different. The trees look so REAL against the sky. Something is so fresh and alive about it all! Maybe I am more alive. I can’t help but wonder to myself, “Who created THIS beautiful moment that I see? Did they try hard to make it? Did they design it? Imagine it? Or was it a fantastic happy accident that I am now a part of??” I don’t know, but something about it feels suspiciously like they are playing with me.

I really hope so.

Otter Bear, 3.5 in x 6 in, watercolor, 6.2.24

Purple Yellow Teal Brushstrokes,  9 in x 12 in, watercolor, 6.2.24

Blue Creatures Under the Sea,  9 in x 12 in, watercolor, 6.6.24

Do-It-Yourself Snakes,  3.5 in x 6 in, watercolor, 6.6.24

Layers Under Black, 9 in x 12 in, watercolor, 6.4.24

Earth in Crisis, 11 in x 15 in, watercolor, 7.26.24